The ease of digital photography, with its side effect of compulsive photo snapping and the peer pressure to perform, has created a situation where massive amounts of imagery are being pumped into all channels of our visual lives.
This flood of work is especially evident in the genre of street photography. I encounter individuals posting hundreds of images per week shot on the street. Don’t get me wrong. I am sure there are plenty of photographers who can produce an amazing body of work in no time. One thing is for sure – I can’t do it!
Based on my personal experience and from observations of the best people in the field I know that street photography is much more difficult than it appears. In contrast to common belief, a photo taken on the street is NOT automatically street photography. A complete street photograph is a great finale of a lengthy and deeply immersive process of seeing, connecting, using creativity, thinking and risk-taking. Such a state is not something that can be awoken automatically by pressing the shutter button.
It is not uncommon for some photographers to come back from their shooting sessions with nothing. I mean zero – no imagery! A dry spell or creative blockage like this is quite normal among photographers and artists.
There is a plenty of advice on how to overcome this state of non-seeing. Some people force themselves into shooting, while others beat themselves up. Daniel Milnor, a great documentary photographer and writer, has said in one of his interviews, “I might not have come back with anything but I came back with an idea of where I might be as an artist somewhere down the road.”
This happens to me on a regular basis. I spend days walking around the streets of Vancouver only to come back with a full card of data but no photographs. However, what I do come back with is my photographic ego highly contained, my senses elevated and, strangely enough, my path to seeing much clearer.
No, I don’t force myself into “seeing.” I just put the gears into idle. Each time I start seeing again, I am able to expose myself, to take risk. And that may well be a very find road to be on.
Here is imagery shot on the streets of Vancouver, following very valuable idling time. All shot with the Fujifilm X-Pro2 and XF 35mm F1.4, the Classic Chrome (CC) film simulation.
Here is the image of Nick from artquakecreative.com preparing his installation at the Vancouver Mural Festival. More images next time.
One of the street artists at work.
2016 © Kasia & Olaf Sztaba Photography. All rights reserved.
3 thoughts on “From Idle To Full Of Vim – Vancouver Visual Excursions”
Ja aber der Panzer ist ja kein Scout!
Very cool and totally creative Olaf! I love the contrasts of softness such as the balloons and the edgy steel blue of the van. Also the beautiful blonde lady and the angles…again softness and edginess. I am your 100% supporter!
Thank you so much!!!