
The ease of digital photography, with its side effect of compulsive photo snapping and the peer pressure to perform, has created a situation where massive amounts of imagery are being pumped into all channels of our visual lives.
This flood of work is especially evident in the genre of street photography. I encounter individuals posting hundreds of images per week shot on the street. Don’t get me wrong. I am sure there are plenty of photographers who can produce an amazing body of work in no time. One thing is for sure – I can’t do it!
Based on my personal experience and from observations of the best people in the field I know that street photography is much more difficult than it appears. In contrast to common belief, a photo taken on the street is NOT automatically street photography. A complete street photograph is a great finale of a lengthy and deeply immersive process of seeing, connecting, using creativity, thinking and risk-taking. Such a state is not something that can be awoken automatically by pressing the shutter button.
It is not uncommon for some photographers to come back from their shooting sessions with nothing. I mean zero – no imagery! A dry spell or creative blockage like this is quite normal among photographers and artists.
There is a plenty of advice on how to overcome this state of non-seeing. Some people force themselves into shooting, while others beat themselves up. Daniel Milnor, a great documentary photographer and writer, has said in one of his interviews, “I might not have come back with anything but I came back with an idea of where I might be as an artist somewhere down the road.”
This happens to me on a regular basis. I spend days walking around the streets of Vancouver only to come back with a full card of data but no photographs. However, what I do come back with is my photographic ego highly contained, my senses elevated and, strangely enough, my path to seeing much clearer.
No, I don’t force myself into “seeing.” I just put the gears into idle. Each time I start seeing again, I am able to expose myself, to take risk. And that may well be a very find road to be on.
Here is imagery shot on the streets of Vancouver, following very valuable idling time. All shot with the Fujifilm X-Pro2 and XF 35mm F1.4, the Classic Chrome (CC) film simulation.
Next time:
Here is the image of Nick from artquakecreative.com preparing his installation at the Vancouver Mural Festival. More images next time.
One of the street artists at work.
2016 © Kasia & Olaf Sztaba Photography. All rights reserved.
Ja aber der Panzer ist ja kein Scout!
Very cool and totally creative Olaf! I love the contrasts of softness such as the balloons and the edgy steel blue of the van. Also the beautiful blonde lady and the angles…again softness and edginess. I am your 100% supporter!
Thank you so much!!!