Winter Imagery with the XF 50-140mm F2.8

The first time we worked with the XF 50-140mm F2.8 lens we were impressed with its optics, superb image stabilization and build/weather sealing, but disappointed by its size and weight. As a result, we decided not to add this lens to our bag.

After a few weeks we had another an opportunity, this time while travelling to Death Valley, California. Upon returning from this trip we were dazzled by this lens’ rendering, sharpness and, most importantly, ability to cushion camera shake (we were mostly shooting from the hand).

Then we had a photo session booked with an attractive couple and decided to do it exclusively with the XF 50-140mm F2.8 lens. We had such a good time and great results – all shooting by hand – that this time we decided to purchase this lens as our only telephoto zoom.

Due to its size and weight this lens doesn’t go with us everywhere. It is a specialized lens for a particular purpose.

We like to use it for engagement sessions and some commercial jobs as long as there is enough light (at night we switch to the XF 56mm F1.2). We will share some engagement and wedding photos shot with this lens in our upcoming posts.

Another factor is that Kasia and I do a lot of travelling by car so weight doesn’t really matter. In this way we can explore the less travelled vistas of North America where you are often forced to photograph from the road, for example the Palouse (it is not a good idea to enter private property). The XF 50-140mm F2.8 lens gives us a bit more flexibility to compose in such a situation.

Having said that, we wouldn’t haul this lens on a trip if we had to carry it a lot, for example walking around cities.

Today, we would like to share with you some imagery shot this weekend near Pemberton, British Columbia. We headed there early in the morning to capture the cold and frosty countryside. We cannot wait for full-fledged winter, which simplifies the landscape and allows plain and lucid visuals to emerge. Stay tuned.














All images were captured with the Fuji X-T1 paired with the XF 50-140mm F2.8 and Fuji X100S. While the Classic Chrome film simulation is being viewed as a documentary-reportage domain, we sometimes apply this emulsion to our landscape and travel photographs (with some tweaks). We love the results.


2015 © Kasia & Olaf Sztaba Photography. All rights reserved.


First, there was shock, disbelief and numbness. Then there was a fierce anger and the urge to talk, but no words came out.

I did what I usually do in such moments of deep sadness. I decided to act in the best way I know. I grabbed my camera.

It was a miserable day in Vancouver – pouring rain, cold and windy, the kind of day when you want to stay at home, safe and warm. But not today! When we arrived at the steps of the Vancouver Art Gallery, a large crowd was already assembled.

A sea of people stood shoulder to shoulder in soaking rain, in silence. Hundreds of umbrellas opened in harmony as if they were all somehow synchronized – how strange, I thought.

At first I didn’t notice but then I realized almost everyone was holding a candle, their hands protecting the flame from the rain. They knew these candles needed to burn. Someone started playing John Lennon’s “Imagine.”  

Then I started climbing the stairs of the Art Gallery. Normally this would be almost impossible in such a crowd but somehow people were letting me in and in doing so, they smiled.

At the top I raised my camera and looked through the viewfinder as people one by one started climbing the stairs, leaving their candles, cards and flowers at the top. I saw older people, I saw a young child leaving her drawings, I could see people’s faces, crumpled with grief.  

Then I saw her. Her face was unlike any other. Her hands were wrapped tightly around a candle protecting the flame. She was climbing the stairs more slowly than others as if this climb was a ceremony itself. She approached the top of the stairs and the glow of thousands of candles lit her face. The emotions on her face were overwhelming. She didn’t make a sound but you could sense the grief. Then I noticed a tear in her eye…

I couldn’t hold it any more. My heart started beating faster, my hands were shaking and my tears fogged the viewfinder. Through this fog I saw this stoic Muslim woman praying and placing the candle gently among hundreds of others.

We both stood there for what seemed to be an eternity. We never met, we never spoke but we had so much in common. A Christian man and a Muslim woman crying together.


“You may say I’m a dreamer
But I’m not the only one
I hope some day you’ll join us
And the world will be as one.”

Lyrics by John Lennon






















All images were taken with the Fuji X-T1, XF 35mm F1.4 & XF 56mm F1.2 , processed in LR6. The Classic Chrome film simulation.


2015 © Kasia & Olaf Sztaba Photography. All rights reserved.

Knowing When NOT To Take A Photograph

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Last weekend Kasia and I watched an excellent documentary about the life and work of one of our favourite photographers, Sebastiao Salgado, titled “The Salt of the Earth.” The imagery, narrative and range of this fascinating film make it a must-see for every photographer.

One moment, in particular, caught my attention and set me thinking. The camera shows Sebastiao Salgado in the Far North shooting for the mega project “Genesis.” He tries to approach a group of walruses but they refuse to go on shore. On occasions he and his son retreat to a small shelter. In one scene, a huge, beautiful polar bear approaches them.

Most photographers in such a situation would go into non-stop shooting mode until the memory card is filled, but not Sebastiao Salgado.        

Watching the polar bear approach them, his son asks, “What do you think, Dad?” Sebastiao answers, “It will be complicated to get this story.” He continues, “It’s not just a matter of getting close to a bear and taking a picture. If the framing is poor, you will just show the bear but it won’t be a photo. This spot is not good. There is nothing in the background, nothing to compose a well-framed picture.”


That is exactly why he is such a great photographer. Today, the ease of taking a photo along with an almost unlimited number of exposures (unlike in film days) cause many photographers to shoot just in case, thinking one of them will turn out well. This mentality leads not only to a plethora of mediocre photos but most importantly it strips away a photographer’s visual sensitiveness. S/he produces digital file but not a real photograph.

While watching the work of many great photographers you would conclude that every single small element of their photograph works in harmony. Sometimes this harmony appears almost unreal – out of this world. Nothing could be farther from the truth. Such rare images require a lot of visual effort, which is accomplished only with discipline and concentration – attributes which are never present in the blind, machine-gun style of shooting.

In fact, the best images are often created after a series of NO’s. Even the best photographers in the world rarely capture a great image the first time on an assignment. It is a long, tiring, and sometimes frustrating process of saying NOT THIS TIME, which eventually leads to a great photograph.

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2015 © Kasia & Olaf Sztaba Photography. All rights reserved.

Which Lenses We Use And When

It was our first encounter with the original Fuji X100 back in 2011 that triggered a major shift in our approach to photography and prompted our adventure with the X-series cameras. For the last few years we have been shooting exclusively with the X-series. After the X100 it was the X-Pro1, X-E1, X100S/T and finally the X-T1. Of course, there is a plethora of reasons why we like working with Fuji cameras and you will find them all in other articles on this blog.

However, it is not just the camera that is our rationale for shooting pictures with Fuji. The main reason is the Fujinon lenses. You can have the best sensor or camera in the world but without high quality lenses all the technological advantages are simply being wasted. To paraphrase a famous election slogan: It’s the lens, stupid!

And what lenses they are! Since launching the X-Pro1 and three original XF lenses (XF 18mm F2, 35mm F1.4 and 60mm F2.4) things got even better. Over the last few years Fuji has managed to build a truly impressive lens line-up. There are more than 20 lenses to choose from now, from wide-angle and standard to telephoto. No wonder we receive numerous inquiries about lenses: which lens to buy first, which wide-angle lens to choose, etc?

Indeed, choosing the right lens is much more important than many realize. It is especially important to those who have just started in photography and are taking the first step to learn this craft.

Of course, for many, the technical quality of a lens is important but there is much more to it. In order to answer your questions, we decided to share with you our lens selection, why we chose these lenses and most importantly when we use them. Please note that these are our personal choices based on our way of “seeing” and years of practice of shooting with the X-series cameras and lenses. It doesn’t mean our approach and lens choice will work for you. Ultimately it is YOU and YOUR way of seeing that must guide your lens choices. Hopefully, we can help.


Special Case: XF 23mm F2 (X100S/T)

Although this article is about the lenses we use, I have to write about the XF 23mm F2 – the lens paired with the X100S/T. Those of you who read our blog know that the Fuji X100S/T is our favourite, never-leave-the-house-without-it camera. Over the last five years we have used the X100/S/T almost daily. As a result, our eyes are trained to see the world through the 23mm lens (35mm in FF terms). It is considered a wide-angle lens, so it requires much more scrutiny when composing than the 35mm F1.4 lens (50mm in FF terms).        

If you are serious about learning photography and want to buy a camera-lens combo that will be always with you – get the Fuji X100S/T. Not only will you get an amazing camera but also a fantastic lens all in one package.


When do we use it?

Since the XF 23mm F2 lens and the X100S/T is one unit, we take it everywhere.

It is the first camera that goes into our bag. The majority of landscape/travel/street images on this blog were taken with this camera-lens combo. When travelling, the X-T1 and other lenses stay in the trunk but the X100S/T is always inside the car ready for the unexpected. On road trips when we stop briefly for something of interest, we always reach for our X100S/T first.

And when walking around towns, villages and ghost towns, this is the camera-lens we use most of the time.

When Kasia and I go to a festival, event, parade or just walk around our city – this is the only camera-lens combo we take.

When visiting friends, having a barbeque or photographing a birthday party, this is the camera we choose.

Finally, when we shoot weddings or events this is one of our cameras (I always carry two). With the 23mm F2 lens on our Fuji X100S/T and the 56mm F1.2 on our X-T1 I, we can cover 99% of situations.



P.S. But how about the XF 23mm F1.4? We don’t have this lens because it is exactly the same focal length as the Fuji X100S/T lens.  


XF 35mm F1.4

It was our first XF lens for the X-Pro1. A classic 50mm focal length roughly matches the field of view of the human eye. This is important because photography is the art of seeing and for many people this pairing is exactly what they need to start. The spectrum of situations and subjects you can cover with this lens is unmatched. You can photograph your family at play, craft a beautiful portrait, capture a landscape or do some street photography – you name it.

The fact that the XF 35mm F1.4 lens is small and light is very important, especially for aspiring photographers. You often see newcomers with huge zoom lenses attached to their big heavy cameras. Unfortunately, this gear-related enthusiasm can burn out very quickly and after the initial excitement, the camera and lenses stay at home (they are just inconvenient and heavy). It won’t happen with this lens. It is small, light and on your shoulder all the time. 

Not only it is versatile and light but this lens is very bright. With the F1.4 opening you can photograph where others simply cannot. A birthday party, a dark church, in the early morning or just after sunset – there is no situation when you would have to stop.  

Finally, this is one of the most affordable lenses.


When do we use it?

If I have to leave home with the X-T1 camera (interchangeable lenses camera) and just one lens – this is the lens I take with me. When Kasia and I go to a party or family dinner with low-light situations (restaurant, house without windows, late hours) we go with this lens (otherwise we would take our X100S).

When travelling light (assuming we don’t have our X100S), we attach this lens to our camera.

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Note: Fuji has just released a brand new XF 35mm F2 lens (review here), which we haven’t had a chance to work with yet.   


XF 14mm F2.8

Well-made, super sharp with a very little distortion – it is one of the finest prime, wide-angle lenses on the market.   

It is a must-have lens for every landscape and travel photographer. However, it is one of the most difficult focal lengths to shoot with (if you want to learn more click here). For this reason, you should NOT buy this lens as your first lens.

However, when the time comes and you add this lens to your bag and learn to compose with it, the results will amaze you and your friends.


When do we use it?

When travelling, this lens is always in our bag. Whether shooting amazing landscapes in Utah, photographing ghost towns in Montana or seascapes in Oregon, we use this lens.

Indeed, photographing an old fire truck in the ghost town of Shaniko required the XF 14mm F2.8 lens. We had to approach our subject closely, at the same time making sure the edges of the image remained clear and uncluttered.




XF 56mm F1.2

This is the best of the best of the XF lenses. Not only is this classic portrait lens super-bright and sharp but its out-of-focus area (bokeh) is creamy and smooth. It is a classic portrait focal length.


When do we use it?

Whenever there is low light, this lens is with us. For example, while photographing couples we usually start with the XF 50-140mm F2.8 lens. Once it gets darker and our camera demands higher and higher ISO, we switch to the XF 56mm F1.2.

We often use it when shooting commercial events. Last summer we covered the four-day conference of a large organization. The majority of events took place in dark conference rooms so we shot most of the event with this lens (along with the XF 35mm F1.4).

When travelling light, this is the lens that goes with us as a portrait lens (along with the X100S and XF 14mm F2.8). For example, we are now planning a trip to Cuba where we hope the XF 56mm F1.2 will allow us to capture some great portraits.




XF 50-140mm F2.8 OIS

This is the latest addition to our XF stable of lenses. When we tested this lens for the first time we were impressed by the quality and image rendition but its size and weight dampened our enthusiasm.

A few months passed and we had another opportunity to shoot an engagement session with this lens… and this time we fell for it. The versatility of this lens and the image quality were excellent but it was its Optical Image Stabilization (OIS) that truly impressed us. While photographing couples we always look for an uncommon perspective and we shoot from the hand. Indeed, the image stabilization system in this lens works flawlessly, helping us to produce a sharp image even with slow shutter speeds. It’s no wonder we use this lens during our family and engagement sessions and weddings.



In terms of our travel and landscape photography there are situations when this lens plays in an important role, for example, when we were capturing the beauty of the Palouse region. Photographing this “Elysian Fields of visuals” requires thoughtful and meticulous framing. You cannot just walk into somebody’s backyard to capture the scene so this is when this lens comes in useful. In fact, the plethora of patterns and shapes that the Palouse offers asks for very careful composition. You must eliminate elements from the frame one by one and in doing so you don’t have much freedom to move (shooting from rural roads).

We encountered a similar situation when driving south along Highway 22 in Alberta.

When going on our road trips this lens travels with us without being a burden. However, it is an entirely different story when we travel by plane and have to hike or walk extensively. In that case we wouldn’t carry this heavy lens with us but we’d take the XF 56 F1.2. 

In summary, this lens serves a certain purpose and it should be viewed as such. You don’t have to carry it with you all the time.




Here is a summary of the lenses we carry with us in different scenarios:

  • Walking around the place where we live (street/ family/ documentary): Fuji X100S/T (XF 23mm F2)

  • Road trip (landscape/ travel/ documentary/ portrait): Fuji X100S/T (23mm F2), XF 14mm F2.8 and XF 50-140 F2.8 paired with the X-T1.

  • Long trips, plane trips when weight matters, (landscape/ travel/ portrait/ family): Fuji X100S/T (23mm F2), XF 14mm F2.8, and XF 56mm F1.2 paired with the X-T1.

  • Wedding and engagement sessions: Fuji X100S, XF 50-140 F2.8 and XF 56mm F1.2 paired with the X-T1.

  • Family birthday and celebrations, etc. (indoors): X-T1 & XF 35mm F1.4.

  • Family birthday and celebrations, barbeques, etc. (outdoors): X100S/T.

  • And what’s always with us when we leave the house: the Fuji X100S/T.



2015 © Kasia & Olaf Sztaba Photography. All rights reserved.



They are coming…










2015 © Kasia & Olaf Sztaba Photography. All rights reserved.

Mystic Port Moody Morning

The September-October period has always been my favourite time for photography. At this time of the year, places are often pillowed by fog, the sun’s rays are much more gentle and… I don’t have to wake up at 4:00 AM to witness a sunrise.

Today, I stopped by Rocky Point Park in Port Moody, British Columbia equipped with my Fuji X-T1 paired with the XF 50-140mm F2.8 lens and the XF 14mm F2.8. 











2015 © Kasia & Olaf Sztaba Photography. All rights reserved.


Colorado’s Explosion of Colours (Part II)











The X-T1 paired with the XF 14mm F2.8 or XF 50-140mm F2.8 lenses and our beloved Fuji X100S. The images are a mix of JPEGs straight from the camera and processed in LR6 (some minor contrast/highlights/white balance adjustments).


2015 © Kasia & Olaf Sztaba Photography. All rights reserved.



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